| Cavalleria
Rusticana /I Pagliacci |
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| Internationales Musikfestival
Chiemgau |
|
| 'The Munich Symphonics
played under the superior conduction of Ivan Anguélov.' |
|
| Echo |
|
| 'In every respect Immling
keeps to the high musical demands with the Munich
Symphonics and the conductor Ivan Anguélov
.' |
|
| Rosenheimer Nachrichten |
|
| 'The musical carpet
was rolled out for the singers by the Munich Symphonics
under the direction of Ivan Anguélov...
The acoustics prooved to be phenominal, the hearing
experience was tremendous... At the latest in
the world-famous Intermezzzo sinfonico, the sensitive
interpretation guaranteed goose-flesh for the
listeners and took them spiritually to Italy and
its flair.' |
|
| Klassik.com |
|
‚ …always
poked up by Ivan Anguélov at the desk of
the Munich Symphonics. He draws wide curves, makes
the Melos flow, brings to light the refinements
of woods and harp and in the fortissimi he reveals
his own and the orchestra’s magnificence.
… supported by the conductor Ivan Anguélov,
who tonally elicits great passions from the Symphonics
and who finally even is victorious over the disturbing,
beating disco-rhythms coming from the valley.’ |
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| Münchner Merker
|
|
'Ivan Anguélov conducts the Munich Symphonic Orchestra. With the force and the inavoidability of an antique tragedy he passes the events to the audience. Under his conduction the fine spun intermezzo turns into a moment without a chance to avert the tragedy of a human sacrifice on this Sicilian Eastern Morning.
Also in the following comedian tragedy Anguélov firmly holds the reins. He perfectly succeeds in arranging the popular and melodic choir- and mass scenes as well as the delicately shaped interconnections of the motives in the confusion of the relationships between the acting characters up to the deceptive, playful ease of a theatre in a theatre.' |
|
| Orpheus |
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